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was the pseudonym of a Nihonga artist and the leading master of the "bijinga" genre in Taishō and Showa period Japan. His real name was Kaburagi Kenichi. Incidentally, although his name is universally transliterated as "Kaburagi" by western sources (and many Japanese sources), Kaburagi himself used the pronunciation "Kaburaki". == Biography == He was born in Kanda district of Tokyo to an affluent and literate family. His father was the founder and president of the ''Tokyo Nichi Nichi Shimbun'' newspaper, and a writer of popular novels. In 1891, young Kaburagi was sent to become a disciple of ''ukiyo-e'' artists Mizuno Toshikata and Taiso Yoshitoshi when he was 13 years old. His first job was as an illustrator for ''Yamato Shinbun,'' a Tokyo newspaper founded by his father. When he was sixteen, his father went bankrupt and the family had to sell their home. Kaburagi initially made his living as an illustrator, producing frontispieces called ''kuchi-e'', illustrating the titles of popular novels. His works were highly praised by noted author Kyōka Izumi, who insisted that his novels be illustrated by Kaburagi. However, Kaburagi's first and foremost interest was in painting. In 1901, he helped create the , an art group dedicated to reviving and popularizing the ''bijin-ga'' (images of beautiful women) genre. When the government-sponsored ''Bunten'' exhibitions were started in 1907, Kaburagi began to paint full-time, winning several prizes. In 1915, his work ''Murasame'' won first prize at the 9th ''Bunten'' Exhibition. In 1917, together with Hirafuku Hyakusui, Matsuoka Eikyu, Kikkawa Reika and Yuki Somei, he helped found the ''Kinreisha'', a ''Nihonga'' association training promising young artists, including Kawase Hasui. When Watanabe Shozaburo started an export woodcut print business, he needed many talented artists to make print designs appealing to western audiences. Kaburagi's group became a recruiting center for Watanabe. Kaburagi organized exhibitions with works of his students and introduced his best students to Watanabe. Next to Watanabe himself, it was probably Kiyokata Kaburagi, who had the greatest influence on the development and promotion of the ''shin-hanga'' movement. Not only Kawase Hasui, but also Itō Shinsui, Shiro Kasamasu, Yamakawa Shuho, Torii Kotondo and Terashima Shimei were trained by Kaburagi and then introduced to Watanabe. When Kaburagi had reached his late 40s, he was well established and a highly respected artist. In 1929 he became a member of the Imperial Fine Art Academy (''Teikoku Bijutsuin''). His portrait of ''rakugo'' actor San'yūtei Enchō (1930) has been registered as an Important Cultural Property (ICP) by the Agency for Cultural Affairs. In 1938 he was appointed to the Art Committee of the Imperial Household. He received the official position of court painter in 1944. In 1946, he was asked to be one of the judges for the first post-war ''Nitten'' Exhibition. In 1954, he received the Order of Culture. His house in Tokyo was burned down during the firebombing of Tokyo in World War II, and he relocated to Kamakura, Kanagawa prefecture, where he lived until his death. Kiyokata Kaburagi died in 1972 at the age of 93. His grave is at the Yanaka Cemetery in Tokyo. His house in Kamakura has been transformed into the Kaburagi Kiyokata Memorial Museum, displaying many of his works, and preserving his studio. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kiyokata Kaburagi」の詳細全文を読む スポンサード リンク
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